A free online video editor, right in your browser.

Six lanes to start with. Video sits on Main, a second image or video layer sits on Overlay, and titles, captions, voiceover and music each get a lane of their own. Detaching the audio from a clip gives it a lane too. You trim by dragging an edge, split at the playhead, and reorder clips by dragging them. Ripple mode closes the gap behind a cut, or you switch it off and move things by hand.

Playback is the part people notice first. The preview scrubs at proper speed while you drag, so you find the cut by watching it instead of guessing at a timecode.

Drop in a video or an audio file and a speech model loads into the browser and does the recognition there, on your own hardware. No per minute transcription bill, no queue. You get a caption track with the timing already set, and you can fix a line by typing over it.

Then pick how it looks. The caption styles run from a plain white subtitle to the word by word pop people expect on TikTok and Reels. If you need the text somewhere else, export the track as an .srt file.

Write the sentence, choose a voice, and the audio lands on the voiceover lane lined up with the clip you had selected. The speech model runs on your machine, the same as the transcription does.

There are male and female voices in American and British English, with a speed control if the read comes out slow. If you would rather use your own voice, drop the recording onto the same panel and skip the generating part.

Add a heading or a body line and set the font, size, fill, outline and glow. Or start from a preset that already moves: a neon flicker, a keyword pop, an RGB glitch, a gold shine, a karaoke highlight.

Nothing is baked in. Change the wording a week later and the animation still runs, because the motion is a property of the clip, not a rendered picture of your old text.

The templates cover intros, promos, social hooks, photo collages, quote cards, event announcements, food, fitness, beauty, weddings, birthdays, real estate and outros. Applying one drops a finished scene onto the timeline with its text, motion and timing in place.

They are a starting point, not a cage. Swap the footage, rewrite the lines, delete the scene you do not need. Every template in the library is free, and none of them stamp anything on your export.

Drag a transition onto the seam where two clips meet, or click the marker that sits there. You get dissolve, fade to black, white flash, slides from any side, zoom in, zoom out, wipes, an iris and a blur.

Each card renders from your own footage rather than a stock demo, so the thumbnail is what the cut will actually look like.

These are real lookup tables, not a CSS filter sitting on top of the preview. Golden hour, arctic, teal and orange, a 70s fade, black and white, plus a set built for skin tones and a set for night footage.

The same shader runs during the export, so the grade you approve in the preview is the grade in the file you download.

The library holds Lottie animations sorted into arrows and callouts, subscribe and follow prompts, checkmarks and reactions, holidays and celebrations. You can recolor them, resize them and set how long they stay on screen.

The same panel holds the full frame overlay clips, the abstract light textures you lay over a shot when the frame feels a little too clean.

The tracks are sorted by mood: upbeat, beats, electronic, chill, cinematic. The sound effects have their own list, sorted by type, from whooshes and impacts to notifications. The music is all ours, so no track asks you for an attribution. The sound effects we sourced are CC0 or CC BY, and where one needs a credit the line sits right next to it, ready to copy instead of hunt for.

Your own files work the same way. Drop an MP3, WAV, OGG or M4A onto the panel and it goes straight to the audio lane.

Search free stock video and photos from Pexels inside the media panel. Every result shows its length and the name of the person who shot it, and one click puts the clip on the timeline at the playhead.

It saves the usual detour of opening four tabs, downloading a file, then dragging it back in, which matters when a cut just needs one filler shot.

Name the file, pick 9:16, 1:1 or 16:9, and press export. Your machine encodes the MP4 and the browser saves it. No queue, no email when it is ready, no logo in the corner and no intro sting. 720p and 1080p are both there on a free account.

You can also export the captions on their own as an .srt, or the whole project as JSON if you want a backup you control.